• With his daylight hours filled with photographing the creativity and chaos of Isaac Mizrahi's Manhattan fashion studio, Nick Waplington turned his lens by night to the pounding and equally innovative world of the New York City house and techno scene. Hamiltons is delighted to be showing this sparkling and vivacious selection of photographs, described by the artist as "describing the vibrancy of a vanished moment in New York’s cultural history.”

     

    • Nick Waplington, UNTITLED (No. WDM 183), 1989-1995
      Nick Waplington, UNTITLED (No. WDM 183), 1989-1995
    • Nick Waplington, UNTITLED (No. WDM 185), 1989-1995
      Nick Waplington, UNTITLED (No. WDM 185), 1989-1995
    • Nick Waplington, UNTITLED (No. WDM 201), 1989-1995
      Nick Waplington, UNTITLED (No. WDM 201), 1989-1995
    • Nick Waplington, UNTITLED (No. WDM 212), 1989-1995
      Nick Waplington, UNTITLED (No. WDM 212), 1989-1995
    • Nick Waplington, UNTITLED (No. WDM 186), 1989-1995
      Nick Waplington, UNTITLED (No. WDM 186), 1989-1995
    • Nick Waplington, UNTITLED (No. WDM 184), 1989-1995
      Nick Waplington, UNTITLED (No. WDM 184), 1989-1995
  • Nick Waplington, UNTITLED (No. WDM 196), 1989-1995

    Nick Waplington

    UNTITLED (No. WDM 196), 1989-1995

    In the autumn of 1989, photographer Nick Waplington was introduced to fashion designer Isaac Mizrahi through their mutual friend, the titan of photography Richard Avedon. This initial meeting would turn into a three-year working and personal relationship, resulting in a collection of photographs of the goings-on behind the scenes at Mizrahi’s studio in downtown Manhattan.

    • Nick Waplington, UNTITLED (No. WDM 188), 1989-1995
      Nick Waplington, UNTITLED (No. WDM 188), 1989-1995
    • Nick Waplington, UNTITLED (No. WDM 189), 1989-1995
      Nick Waplington, UNTITLED (No. WDM 189), 1989-1995
    • Nick Waplington, UNTITLED (No. WDM 191), 1989-1995
      Nick Waplington, UNTITLED (No. WDM 191), 1989-1995
    • Nick Waplington, UNTITLED (No. WDM 195), 1989-1995
      Nick Waplington, UNTITLED (No. WDM 195), 1989-1995
    • Nick Waplington, UNTITLED (No. WDM 207), 1989-1995
      Nick Waplington, UNTITLED (No. WDM 207), 1989-1995
    • Nick Waplington, UNTITLED (No. WDM 209), 1989-1995
      Nick Waplington, UNTITLED (No. WDM 209), 1989-1995
    • Nick Waplington, UNTITLED (No. WDM 206), 1989-1995
      Nick Waplington, UNTITLED (No. WDM 206), 1989-1995
    • Nick Waplington, UNTITLED (No. WDM 204), 1989-1995
      Nick Waplington, UNTITLED (No. WDM 204), 1989-1995
    • Nick Waplington, UNTITLED (No. WDM 193), 1989-1995
      Nick Waplington, UNTITLED (No. WDM 193), 1989-1995
    • Nick Waplington, UNTITLED (No. WDM 194), 1989-1995
      Nick Waplington, UNTITLED (No. WDM 194), 1989-1995
    • Nick Waplington, UNTITLED (No. WDM 211), 1989-1995
      Nick Waplington, UNTITLED (No. WDM 211), 1989-1995
    • Nick Waplington, UNTITLED (No. WDM 218), 1989-1995
      Nick Waplington, UNTITLED (No. WDM 218), 1989-1995
  • Nick Waplington, UNTITLED (No. WDM 216), 1989-1995

    Nick Waplington

    UNTITLED (No. WDM 216), 1989-1995

    The clubs that Waplington documents in his photographs include The Sound Factory, Save The Robots, Area, Jackie 60 and The Limelight. These clubs were spaces where time was suspended, boundaries were porous and evolving, and music was everything. Now long- gone and almost mythical emblems to future generations of clubbers, these institutions were places of worship where people made pilgrimages to dance, sweat and experiment.

  • Nick Waplington, UNTITLED (Nos. WDM 219 (1-6)), 1989-1995

    Nick Waplington

    UNTITLED (Nos. WDM 219 (1-6)), 1989-1995

    A few blocks downtown on Wooster Street, Mizrahi’s studio also served as a temple of artistry. Waplington’s images show supermodels such as Christy Turlington, Linda Evangelista, Naomi Campbell and Veronica Webb in the midst of endless fittings and adjustments for a number of Mizrahi’s acclaimed collections. Characterised by a clean-cut, playful elegance and a pastel colour palette, Mizrahi’s eponymous clothing brand was phenomenally successful, and the designer’s process was immortalised in the 1995 documentary Unzipped. The film would go on to win the Audience Award for US Documentary at the 1995 Sundance Film Festival.

    • Nick Waplington, UNTITLED (No. WDM 187), 1989-1995
      Nick Waplington, UNTITLED (No. WDM 187), 1989-1995
    • Nick Waplington, UNTITLED (No. WDM 190), 1989-1995
      Nick Waplington, UNTITLED (No. WDM 190), 1989-1995
    • Nick Waplington, UNTITLED (No. WDM 192), 1989-1995
      Nick Waplington, UNTITLED (No. WDM 192), 1989-1995
    • Nick Waplington, UNTITLED (No. WDM 197), 1989-1995
      Nick Waplington, UNTITLED (No. WDM 197), 1989-1995
    • Nick Waplington, UNTITLED (No. WDM 199), 1989-1995
      Nick Waplington, UNTITLED (No. WDM 199), 1989-1995
    • Nick Waplington, UNTITLED (No. WDM 200), 1989-1995
      Nick Waplington, UNTITLED (No. WDM 200), 1989-1995
    • Nick Waplington, UNTITLED (No. WDM 202), 1989-1995
      Nick Waplington, UNTITLED (No. WDM 202), 1989-1995
    • Nick Waplington, UNTITLED (No. WDM 203), 1989-1995
      Nick Waplington, UNTITLED (No. WDM 203), 1989-1995
  • Nick Waplington, UNTITLED (No. WDM 210), 1989-1995

    Nick Waplington

    UNTITLED (No. WDM 210), 1989-1995

    Hamiltons is delighted to be showing this sparkling and vivacious selection of photographs following the artist’s highly acclaimed, Living Room- named TimeOut Magazine’s show of 2024, at the gallery. Waplington’s own unique style grants us access to a golden moment where the worlds of fashion, art and music offered limitless expression and unadulterated freedom. In these images, the seam that separates night and day holds a crackling electricity and invites us to experience the burning intensity of a now-vanished world.